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Fine, fine. Yet it could be even more. The set, designed by Dayna Morrissey, is stunning, with its transparent, scroll like, paintings of cliff reliefs in the foreground of a mural of the coast, and the stage areas all colours of the sea. A Quartet on Loss and Violence. On the contrary, they are based on the fictions and failures of the ‘private’ that later turned into systems that now govern our lives. It’s a simple and hard-nosed recognition of reality. Marcus McKenzie valiantly bridges the difficult characters of a troubled child with an imaginary friend and the somewhat ambiguously penned character of a psychopath. We no longer need more, but rather better and more fairly distributed, in order to provide prosperity for all. The email address/es you provide will be transferred to our external marketing automation service ‘MailChimp’ for processing in accordance with their. It made news everywhere, and changed many people's world view. The triple challenges of climate change, pandemic and systemic racism highlight the deeper systemic defects. They envision regenerative and carbon-free economies, communities that offer meaningful work to everyone who wants it. Designer: Dayna Morrissey.

I see this every spring when talented undergraduates face limited choices for their future: corporate law, consulting, finance, highly specialised medicine. And yes perhaps “To acknowledge grief is to acknowledge love.” (Director’s program notes.). They are fighting for what the legal scholar Amna A Akbar in The New York Times called a governance system ‘whose primary allegiance is to people’s needs instead of profit’. This will require difficult transitions – away from fossil fuel or the mass-produced consumption of meat or the acceptance of rampant inequality. There was no screaming, the only sound was the gunshots. Indeed, the costs of economic growth have begun to outpace their benefits, visible in the plunder of the environment and escalating inequality. They are founded on the basic moral claim that, as the legal scholar Jedediah Purdy puts it in This Land Is Our Land (2019), ‘the world belongs in principle to all who are born into it’. To keep up with the latest news and reviews at Stage Whispers, click here to like us on Facebook, or follow us on Twitter. And yet, our dominant economic systems continue to follow colonial extraction and brutal exclusion, in the process creating two organically related, existential problems: the perpetuation (and in some cases intensification) of poverty, and the violation of the biophysical limits of our planet. No physical or electronic security system is impenetrable however and you should take your own precautions to protect the security of any personally identifiable information you transmit. A number of the people he spoke to are coming to see the show, with one couple flying over from Melbourne especially for the night. A Museum for Children’ plays a part in learning outside the classroom environment. As the social theorist Patricia Hill Collins reminds us, ‘there is always choice, and power to act, no matter how bleak the situation may be.’, Yes, a sustainable wellbeing future will make obsolete many skills and professions. Show More. A Quartet on Loss and Violence. Despite the horror of their experiences, Tom realised there were little moments of compassion and humanity that came out of the experience. I threw on some dark green riding clothes (because that’s my favorite color) and ran out the door. We dread loneliness and depression, too much work, the loss of jobs, debt. When authors write about economies for the common good, or for the wellbeing of all, they highlight a very different set of values than those, based on private property and private gain, that dominate modern economies today – not efficiency but health and resilience; not the bottom line but collective wellbeing. Powered by fossil fuels, it is both depleting and burning up the planet.

By clicking ‘subscribe’ you agree to the following: You can change your mind at any time by clicking the ‘unsubscribe’ link in the footer of emails you receive from us, or by contacting us at, If you want to review and correct the personal information we have about you, you can click on ‘update preferences’ in the footer of emails you receive from us, or by contacting us at The audience are in a space listening to real people tell stories.

Prosperity without mental and cultural imprisonment, without the drudgery of wage labour, and the dismal reduction of life to cost-benefit analyses – a life, in the words of the poet Langston Hughes, ‘where greed no longer saps the soul’. Akunna criticizes how her boyfriend “wanted to visit Lagos, to see how real people lived, like in the shantytowns” (120). Like many Tasmanians Tom found the lack of details about the event in the months after the tragedy quite unsettling. Photographer: Jodie Hutchinson. Lots of horrific things happened at Port Arthur, and there are many sad stories that relate to the site over its history. We sense, and often experience, that everyone looking out for themselves brings out the worst in us – me against you, one tribe against the other. By Tom Holloway.

During the 1960s, Martin Luther King, Jr gave voice to the broader idea when he said that no one is free until we are all free. It seems to negate and distract from them, undermining their potential to affect as profoundly as they could. The gale was causing great waves of grass to roll across ... Dan, are you really going to kill Tyris? The private as dominion over property thus inevitably violates the private as personal integrity and freedom. A sense of dread and danger underlies the telling that is presented as a montage, not a narrative. Rather than idolise some past greatness or false realism that never was, why not imagine a grown and healthy adult who is no longer prisoner to the regimen of ‘ever more calories’ – a mind liberated from ‘the love of money’ that the sustainability economist Tim Jackson envisioned in Prosperity Without Growth (2009). A culture where ‘the love of money as a possession’, in the words of John Maynard Keynes in 1930, ‘will be recognised for what it is, a somewhat disgusting morbidity.’ A future, as Vandana Shiva aptly summarised it, in which the economy’s ‘currency is not money, [but] life’. Lighting Designer: Richard Vabre: Sound Designer – Philip McLeod. Most definitions of mainstream economics are based on some version of Lionel Robbin’s 1932 definition as the ‘efficient allocation of scarce resources’. 'This is such an important story and I think it is really important that is being told here first. Beyond The Neck was one of five plays short-listed from over four hundred entries for presentation at the Royal Court Theatre London in 2007. Social and economic prosperity depends on the wellbeing of all, not just the few. Red Stitch (Vic) Director: Suzanne Chaundy. To emphasise: chasing the bogeyman of scarcity, we are, by now, in the process of passing some frightening historic thresholds, altering the very makeup of life and creating an unsustainable future for our children and grandchildren. Emmaline Carroll embraces the nuances of a petulant teenager to great effect. There can be no doubt that significant courage is required to work with material as deeply disturbing as the Port Arthur Massacre. Such thinking dominates the field of economics, and much of contemporary culture: Man (yes, those ideas overwhelmingly come from men) as the endless optimiser of self-interest; people reduced to producers and consumers; all aspects of life that go beyond the mere accumulation of stuff – morality, joy, care – confined to kindergarten, fiction and the occasional ethics course in high school or college. Drawing on paper. Cast: Marcus McKenzie, Philippa Spicer, Emmaline Carroll and Roger Oakley. We are scared of climate change, the ultimate consequence of our voracious consumption. The urgency of now might instead require a change in the operating logic, a system that supports the core values that make up all thriving life – health, diversity and resilience. Well, if you climb up a tree first – Dan glowered pointlessly into the air.

We will retain your information for as long as needed in light of the purposes for which is was obtained or to comply with our legal obligations and enforce our agreements. Four actors, as actors, frame, and as assumed characters, re-enact in disjointed monologues form incidents, in individual lives, surrounding this profoundly traumatic event. Instead, we should ask, what do we really value? The real tragedy, however, lies not in the commons, but in the private. The Old Man, true to type, finds it extremely difficult to access his subterranean emotions. Rather than acknowledge the endless variety of things that had to be in place to make our individual accomplishments possible, it is grounded in the immature claim that our privileges are ‘earned’, made possible primarily by private initiative. They value the private over people. Based on what economists consider a ‘healthy’ growth rate of about 3 per cent, the economy would have to double in output roughly every 23 years. Without the food from the farmer? The result has since been naturalised and replicated the world over and sanctified in law as ‘the rights of private property’. Some would have followed it intensely and have considerable insights. Tom was originally funded by the Australia Council some seven years ago as part of a mentoring program for emerging artists. Some people could do that straight away, others took years. This loss is rooted, in large part, in the tragedy of the private – this notion that moved, in short order, from curious idea to ideology to global economic system. The sadness will never really leave many people's lives, but there is something warm and human that can come out of sharing stories such as Beyond the Neck. To do this, the patient will need to modify their diet and lifestyle habit to prolong the quality of their life. The Pokémon’s presence faded. We meet strangers who looked after each other, who went out of their way put themselves in danger just to comfort each other.

We cannot guarantee that the personal information you supply will not be intercepted while transmitted to us or our marketing automation service Mailchimp. In preindustrial societies, cooperation represented naked necessity for survival.

Yet the realisation that a healthy whole is larger than its parts never stopped informing cultures. It is the private that produces violence, destruction and exclusion. Like many Tasmanians Tom found the lack of details about the event in the months after the tragedy quite unsettling. The assignment firstly provides a short analy tical consideration of the nature and importance of reflection.

[an error occurred while processing this directive]. A deeper question might be: why should wealth and privilege – largely built on the free work of nature and the cheap work of labourers – be rescued, when in trouble, by the very people otherwise deemed ‘disposable’? The flipside of civilisation, in Walter Benjamin’s words, appears to be ‘a document of barbarism’. There is one diagram in economic theory, writes Kate Raworth in Doughnut Economics (2018), that ‘is so dangerous that it is never actually drawn: the long-term path of GDP growth’. If such growth is difficult to imagine, that’s because it is absurd. Beyond the Neck. Courtesy the Trustees of the British Museum. is an economic historian and wellbeing economics advocate who teaches public policy and history at Duke University in North Carolina. Over generations, open theft of common heritage became disguised as private property, hiding behind legal contracts and the cold fiction of money as wealth. Not scarcity, but abundance. Much has been said about how the incessant race for more, bigger, faster has also led to a crisis of meaning and purpose, what King, Jr called a widening ‘spiritual death’ of living in a ‘thing-oriented’ rather than ‘a person-oriented society’, or what D H Lawrence simply labelled ‘the Mammon of mechanised greed’. To own was always less about protection of the self than it was about exclusion of others. Seeing ourselves as seemingly free-floating individuals, it’s both easy and convenient to indulge in the delusion that ‘I built it.

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