An adaptation of the Greek classic Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land. Rotimi, in response to the Nigerian Civil War, says that the root cause of the strife among Nigerians, of the bloodshed, was in their lingering mutual ethnic distrust which culminate in open hostility. The Gods Are Not to Blame (Three Crowns Books) Paperback - April 4, 1974 by O. Rotimi (Author) 5 ratings See all formats and editions Kindle $5.00 Read with Our Free App Paperback In this play the theme of Sopocles' Oedipus Rex is skillfully transplanted to African soil. Enhanced typesetting improvements offer faster reading with less eye strain and beautiful page layouts, even at larger font sizes. It is during the course of the play that Odewale reveals to Alaka why it was that he left the village of Ede, where Odewale said he would live after leaving Ishokun when he was thirteen. Want to Read. I had an indepth analysis of the topics and themes of this book and it is worth every bit of the paper it's printed on. Alaka hails from the village of Ishokun. He is consistently accused by Odewale of having ulterior motives to take the throne from him, going as far as to say that Aderopo had bribed the soothsayer, Baba Fakunle, of giving a false account of what is to come. Odewales character experiences different phases of confusion, almost painful in its helplessness, that the reader will become sympathetic to his plight, cursing fate for dealing him with such a heavy hand. Although his adding of an allegory of colonization and decolonization was a nice bonus, and I did love the ending scene and quote: "It is always best to keep your words soft and sweet, you might never know when you'd have to eat them". By juxtaposing Alaka in Odewale's new environment, Kutuje, Rotimi illustrates the cultural differences between traditional Yoruban life, with that of the industrialized west. When Odewale became an adult, an uncle of his told him of his cursed destiny in a proverbial manner. The old man happens to also be his father, though Odewale is not aware of this at the time. While this book has certain similarities to the original Greek story, it finds its own originality by adding different elements and characters to the story. All the messages conveyed, although bring the play together and provide the audience with insightful readings, the play may also serve as a symbol as to how some of the African societies model the structure presented in the play. However, Odewale, the new king of kutuje decided to know who killed the late king but was told that he was murdered by robbers. The Gods Are Not to Blame is a 1968 play and a 1971 novel by Ola Rotimi. One of the great dramas held me captivated. Rotimi is sure to be remembered as a model in the literary genre whose views have shaped the conduct of the theatre and whose plays have demonstrated the power of drama to shape the thinking of the society and attempted to solve some of the problems encountered in everyday living. [clarification needed] To prevent this from occurring, King Adetusa orders for Odewale to be killed. English. They conquered their enemies and came out victorious. The practices exhibited in Yoruban culture show the structure of both a social and economical factors. All the messages conveyed, although bring the play together and provide the audience with insightful readings, the play may also serve as a symbol as to how some of the African societies model the structure presented in the play. Odewale says to the land that the biggest trouble today is not their sickness but instead the plague in their hearts. In the last part Odewale leaves. If not for the educational benefit just read it for fun. November 26, 2017. Get help and learn more about the design. What first swims up to the surface of my memory when I remember this novel is "the place where three footpaths met". I liked it but was confused until I realized the pages were not in order. Designed by Previous page. Similar in nature to the Greek play, Oedipus Tyrannus his royal parents receive a prophecy from Baba Fakunle that Odewale would grow up to kill his parents. BABA FAKUNLE: This boy, he will kill his own father and then marry his mother (The gods are not to Blame, 2). His father father does to Odewale what European colonizers did to Africa. Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club thats right for you for free. The Epilogue: Two unpublished plays of Ola Rotimi. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. The leadership in the play forms a comparison to that of the King and many of the townspeople. Both run Hotel Kilimanjaro with different motives and a chance meeting between them elicits lessons as both share each others problems. Saah Harris the point is that the gods wanted to make man understand that what ever has been fulfilled, cannot be tempered with. When crocodiles eat their own eggs, what will they not do to the flesh of a frog? If not for the educational benefit just read it for fun. Alaka clearly recognized him but he could not recognize Alaka. Ogundele had pity on the baby and adopted him. : Update your device or payment method, cancel individual pre-orders or your subscription at. The village elders gather round to discuss the allegations that have been made against Odewale. Using your mobile phone camera - scan the code below and download the Kindle app. King Odewales progress towards a full knowledge of the murder and incest that must be expatiated before his kingdom can be restored to health is unfolded with a dramatic intensity heightened by the richness of the plays Nigerian setting. Gbonka: The former messenger of the late King Adetusa. What the author arrives at is not to prove which gender is superior but to show the complementary roles of men and women. (1985) Hopes of The Living DeadRotimi here depicts a different kind of leader: a selfless, result-oriented, committed leadership complemented by a followership that believes in the good of the generality of its members through the application of itself to the cause that is beneficial. If you compare Rex Warners Oedipus story (in Men and Gods) to Ola Rotimis The Gods Are Not to Blame, it is very easy to see the differences (and familiarities) of the mythical story. As the queen of the kingdom of Kutuje, she finds herself serving as Odewale's conscience, calming him when he begins to act irrationally. Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/page/index.php Along with the Ogun Priest, it is revealed to him that the old king was his father, and that Ojuola was his mother. Much of classical Greek drama derived from . Be My rating reflects the level of service I received - not the item itself. king odewale who told will kil his father to marry his mother, in his attempt to run away from this to happen, ran to fulfil it. Odewale's horrible fate, whether it had been the Seer being silent, or even his parents not ordering his death. , Text-to-Speech Please try again. Call, Click here to read on Len Academy Smart School Software. The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi. At this, Odewale did not show any sign of sorrow because at one time, he was told of his cursed destiny through a proverb by an uncle of his who failed to reveal whom his true parents were. The radio play Everyone His/Her Own Problem, was broadcast in 1987. Odewale narrated the story of how he killed a man who insulted the homeland he came from by calling them a bush tribe, while also attempting to steal from his farmland. You have remained in right site to begin getting this info. By achieving this feat, the town of kutuje broke tradition by making Odewale the new king of their land. This Gods Are Not To Blame Novel Bing , as one of the most on the go sellers here will entirely be accompanied by the best options to review. Help others learn more about this product by uploading a video! There was a problem loading your book clubs. He further said that he was the servant of Ogundele (Odewales foster father); and on that fateful day when Odewale was rescued from death in the bush, both of them were together; for they had gone hunting. The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi. In the economic structure, one observes the resources the Yoruban culture considers vital to maintain wellness and health. His book African Dramatic Literature: To Be or to Become? Line: 68 People made dramatic entry and exit to the stage around his casket with the man turning his casket. This entire review has been hidden because of spoilers. in his play 1he gods are not to blame.t Whereas the action of Soyinka's play is set in Greece, Rotimi has transplanted his play to Africa and has also changed the . [8] Odebunmi" Language,Culture and Proverbs". She was given a prophecy, along with King Adetusa, that their child, Odewale, would one day grow up to usurp the thrown, killing his father and marry his mother. Along with the Ogun Priest, it is revealed to him that the old king was his father, and that Ojuola was his mother. In the former, Laius (Oedipus father) was told by an oracle that his son, yet unborn, would kill him; whereas in The Gods Are Not to Blame, the revelation comes from Baba Fakunle, an Ifa Priest, who sees into the future of the new born baby in his arms. The King expresses sympathy to the townspeople for the illness that has been plaguing them. But beautiful, beautiful twists I didn't see coming. The Gods Are Not to Blame is a 1968 play and a 1971 novel by Ola Rotimi. He is consistently accused by Odewale of having ulterior motives to take the throne from him, going as far as to say that Aderopo had bribed the soothsayer, Baba Fakunle, of giving a false account of what is to come. Goff, Barbara & Simpson, Michael, Back to the Motherland: Crossroads In The Black Aegean (97). Unable to add item to List. Man Talk, Woman Talk is humorous, as quintessential comedies from the author can be. The leadership in the play forms a comparison to that of the King and many of the townspeople. First performed in Nigeria in 1968, The Gods Are Not To Blame was produced at the Arcola Theatre in Hackney, London, in 2005. In conclusion, Google used its doodle to honour the late writer on the 13th of April, 2022 to mark his birthday. These ebooks can only be redeemed by recipients in the US. If there is any theme that stood out for me, it was the inevitability of reaping what you sow. Help others learn more about this product by uploading a video! Function: view, File: /home/ah0ejbmyowku/public_html/index.php Learn more. Rotimi, a patriot who shunned the attraction of the West and Europe and returned home to contribute his own quota to nation building, was a rare breed. The Ogun priest made attempts to hide the truth from Odewale whereas queen Ojuola had already gone into her bedroom and stabbed herself to death (because it's now clear to her that she had married her first son who killed king Adetusa, her husband). Full content visible, double tap to read brief content. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. The novel is set in an indeterminate period of a Yoruba kingdom. Odewale learns that there is a curse on the land, and in order for the sickness to stop going around the curse has to be purged. It was through this book that I first became acquainted with Oedipus' tale. The culture represents "the way of life for an entire society", as noted in Pragmatic Functions of Crisis Motivated Proverbs in Ola Rotimi's The Gods Are Not to Blame. I believe this scholar is claiming to the idea that proverbs deal with issues in the Yoruban culture. She is the mother of six children: two under King Adetusa (Odewale and Aderepo), and four under King Odewale (Adewale, Adebisi, Oyeyemi, Adeyinka). : I love Ola Rotimi's classic; the gods are not to blame. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Oedipus, Whos to Blame? Owing, in part, to political conditions in Nigeria, Rotimi spent much of the 1990s living in the Caribbean and the United States, where he taught at Macalester College in St. Paul, Minnesota. Reviewed in the United States on March 2, 2018, Good historical novel by a great writer. Odewale was henceforth disturbed with his identity, and subsequently went in search of answers. However, his intentions were to privately relate his findings to king Odewale; but unfortunately, Odewale's act of transparency, alongside his pride made him demand for a public answer to Aderopo's enquiry. To calculate the overall star rating and percentage breakdown by star, we dont use a simple average. Brief content visible, double tap to read full content. [1] An adaptation of the Greek classic Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land. The names of the children are: Adewale, Adebisi, Oyeyemi and Adeyinka. In fufillment to their custom, the son was taken to the priest of Ifa to tell what the boys future would be. Required fields are marked *. Odewale was in touch with his supernatural side, and was quick to call on Ogun, going so far as to swear on the deity which eventually led to his downfall. Your curiosity about this PDF will be solved sooner in was published in 1991. After a dispute, Baba Fakunle calls Odewale a "murderer," alluding to the assault that occurred on the yam patch in Ede, in which Odewale kills King Adetusa, unknowingly his father. The Gods Are Not to blame is full of irony, despair, and disillusions. The Gods are Not to Blame Ola Rotimi Oxford University Press, 1985 - African drama (English) - 72 pages 5 Reviews Reviews aren't verified, but Google checks for and removes fake content when it's. Ojuola: Wife of the late King Adetusa. She also gave birth to four children for Odewale, her first son who had murdered his father. In the story of 'The gods are not to blame'; the first son of king Adetusa is _____. Function: require_once. : It will not become a unity of the habit for you to get unbelievable further at all. the gods are not to blame - ola rotimi (full story, summary and analysis)the gods are not to blame - ola rotimi ( summary and analysis)the setting, backgroun. The comical character Alaka, for example, represents Odewale's childhood growing up in the village of Ishokun. Odewale begins to make accusations of a plot being made against him, spearheaded by Aderopo, to one of the village chiefs in response to Baba Fakunle's silence. Focusing on the Yoruba tradition, Ola Rotimi spotlights Yoruba gods, giving Sango, Orunmila, Ifa, and Ogun prominent roles throughout the book as King Odewale, King Adetusa (Odewales father), Queen Ojuola (Odewales mother), Aderopo (Odewales brother), the Chiefs and other characters in the book refer to them often. Ogundele and his wife Mobike who had no child cared for Odewale. The gods are not to blame. It was also to recognise his contributions to Nigerian as well as world literature. He could not, of course, assume prior knowledge of the story on the part of the Odewale storms Kutuje with his chiefs flanking by his side, and is declared King by the town's first chief. Sticky notes. : The Gods Are Not to blame is full of irony, despair, and disillusions. It is an adaptation of the Greek classic Oedipus Rex. The book is a great read, one that will have you envisioning every aspect of it, making it seem that you are actually watching a theatre performance. 1220 KB. Reviewed in the United States on September 16, 2014. 1996-2023, Amazon.com, Inc. or its affiliates. , Publication date Odewale begins to make accusations of a plot being made against him, spearheaded by Aderopo, to one of the village chiefs in response to Baba Fakunle's silence. : The Gods Are Not to Blame Book Review Negus Dafidi Says. Although he is a custodian of culture who inspires people, he does not actively participate in their struggles. The radio play Everyone His/Her Own Problem, was broadcast in 1987. Please click here to follow Len Academy on Google News. Read more Previous page Reading age 12 - 14 years Print length 82 pages Language English Grade level 2 - 7 Page Flip. i learned that the issue of generation curse is a strong issues. You could purchase guide Gods Are Not To Blame Novel or acquire it as soon as . Print length. He has been called "a complete man of the theatre an actor, director, choreographer and designer who created performance spaces, influenced by traditional architectural forms.". In the Yoruban culture, like many others, have symbolic. Sadly, I prefer Sophocles' writing much more than Ola Rotimi's. When the old man takes over Odewale's land it is a metaphor of colonialism. As the play comes to a close, King Odewale and the townspeople are still trying to figure out the curse on the village. The priest of Ifa, Baba Fakunle (a blind soothsayer) cast his opele and said; This child would kill his father and marry his own mother. (1985) Hopes of The Living DeadRotimi here depicts a different kind of leader: a selfless, result-oriented, committed leadership complemented by a followership that believes in the good of the generality of its members through the application of itself to the cause that is beneficial. One of the things I loved the most about Rotimis version was the infusion of the Yoruba culture, and how parables and incantations were stated. Indeed, culture is the way of life. The comical character Alaka, for example, represents Odewale's childhood growing up in the village of Ishokun. It's about having power over the land and Odewale no longer has the power because the old man took it from him, which is why he turns a hoe, which is a gardening tool, into a sword. He is found and picked up by a farmer hunter Ogundele and raised by him along with his wife Mobe. They both fought using their mystical powers but the old man appeared to be more powerful. A classical tale (play here) transposed onto African soil, as it were. But beautiful, beautiful twists I didn't see coming. Aderopo arrives and is immediately confronted by Odewale about his suspicions. As usual with Rotimi, the dialogue is colourful, fecund, brimming with camaraderie or even enmitya superb work. Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them. At birth his parents joy was cut short when they find out from the oracle that their first son was destined to bring them calamity! Gbonka was present when King Adetusa was slain at the hands of Odewale. "The Gods Are Not To Blame" is Ola Rotimi's retelling of Sophocles' "Oedipus The King" using a traditional African setting and characters. Line: 315 Despite his best efforts to curb the prophecy that his child, Odewale, would grow up to take the throne by murdering him, he is inevitably slain when he encounters his son, now fully grown, in the village of Ede. Odewale further said that he could no longer stay on his farmland because human blood had been shed on it. Instead of legal jargon, there is humour, arguments and counter arguments. So begins the tragic tale that leads to heartaches, deaths and sorrows, which will have readers asking whos to blame?. Rotimi's main intervention is to dispense with the gradual revelation of the truth of Sophocles' original: here, the . My feelings are torn here for reasons of theater only. He brings his sick children for the town to see, that way they know that his family is also suffering. She is the mother of six children: two under King Adetusa (Odewale and Aderepo), and four under King Odewale (Adewale, Adebisi, Oyeyemi, Adeyinka). It reminded Nigerians of one of its most . To this Rotimi argues that while some of the suffering may have been the result of attempted colonial conquests, the lingering animosity that is felt and dispersed among fellow Nigerians, by fellow Nigerians, cannot be blamed solely on an outside party. : (1966) Our Husband Has Gone Mad Againdepicts the cocoa farmer and businessman Lejoka-Brown as a self-seeking, opportunistic leader who could make better contributions to his country outside of the political arena. After 11 peaceful years had passed in the reign of Odewale as king of kutuje, a mysterious sickness struck the land and plagued the people of kutuje; of which many died from. During their time of sickness, the townspeople solely depend on the herbs used as an attempt to cure the "curse" put on the people. Download The Gods are Not to Blame Book in PDF, Epub and Kindle. Aderopo denies the allegations, and Odewale calls forth the Priest of Ogun. It also analyzed reviews to verify trustworthiness. Aderopo gives good news to Odewale from Orunmila concerning the sickness going around the kingdom, but along with the good news comes the bad. I begin thinking of how the staging would be, the lighting and the like. Line: 478 Ola Rotimi had an immense knowledge and interest in African cultures, as indicated in his ability to speak several ethnic languages, such as Yoruba, Ijaw, Hausa, and pidgin. The gods and supernatural beings in the invisible realms claim foreknowledge of the fate which the tragic hero brings into the world, yet do not influence the fate-holder in the winding trail of life to the fulfillment of tragic fate. The Epilogue: Two unpublished plays of Ola Rotimi. A Dictionary of Nigerian Pidgin English: with an introductory survey of the history, linguistics and socio-literary functions, A translation of the play "The Gods Are Not to Blame" into Setswana, The Masquerade in Nigerian history and culture, An interview (1975) with Ola Rotimi, senior research fellow, Institute of African Studies, University of Ife, Ile Ife, "Review of: Kiabr: Journal of the Humanities 1" (June 1978). A chilling taboo. Please like and follow our official facebook page here for great educational write-ups. Please try again. In 1965, he married Hazel Mae Guadreau, from Gloucester Massachusettes; Hazel also studied at Boston University, where she majored in opera, voice and music education. Line: 479 Stephen (Rasheed's version of Oedipus) has been raised in the USA and sent to fight in Afghanistan before he decides to travel to Nigeria in search of his origin story. He attended St. Cyprian's School in Port Harcourt from 1945 to 1949, St Jude's School, Lagos, from 1951 to 1952 and the Methodist Boys High School in Lagos, before travelling to the United States in 1959 to study at Boston University, where he obtained a BA in fine arts. One finds that their roles compared to King Odewale's serve as a primary example of the social aspect. Rotimi was the son of Samuel Gladstone Enitan Rotimi a Yoruba steam-launch engineer (a successful director and producer of amateur theatricals)and Dorcas Adolae Oruene Addo an Ijaw drama enthusiast. His orders concerning this quest as quoted from the play (story) states thus: 'We have sent Aderopo to Ile-Ife, the land of Orunmila, to ask the all-seeing god why we are in pain.' Line: 208 ola Rotimi's book is very inspiring.i learnt that what we say,do,watch,portray and everything else around us determines our destiny.trully the gods are not to blame for whatever happens.I believe odewale's fate would have been averted if he had stayed with his real parents. Please try again. We are sorry. In The Gods Are Not To Blame, Rotimi incorporates many themes, such as culture and its connection with the form of the social structure of an African community. The only way deemed best to avert this was to kill him What happens to this child? To nullify his cursed destiny, he ran away to Ede, a distant land where he bought a farmland at Orita-meta (meaning the place where the three foot paths meet). Redemption links and eBooks cannot be resold. To this end, he publicly delivered his findings by stating that the reason for the plague is a man who killed their former king. Number of Acts and Scenes Rotimi seals Odewale's fate by having an omen placed over his life at birth. 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