The DSD mastered Stones reissues sound fantastic as do original UK Deccas. Juliette Greco I had the original European vinyl. Anyone else have similar quality issues with new reissues from Wax Time Records? Yes, I assume they do, but judging by the low quality pressings that get to market I just don't think some labels care, or even realise just how bad their pressings are, as I said it's labels that really should be checking for themselves and rejecting poor pressings, getting things re-cut and even pulling entire runs if they aren't good enough, very few labels seem willing to do that and without mentioning any names I've talked to a few label people who really don't have a clue about quality or care. Yes I should have mentioned them as "musts to avoid." Related to quality record. Fly Records (HiFly 6) pressing mastered by George "Porky" Peckham, you will s..t yourself! Kevin Gray didn't convert the mono tapes to digital. The albums were subsequently re-cut by Chris Bellman at Bernie Grundman Mastering, this time using the analog master tapes, and they sound fantastic. Anyone can go in, open a new record, and put in the info. Electronic Medical Records (EMRs) are a rich data source to measure and improve quality of care. He also produces editorial series for the most important Italian newspapers such as Il Corriere della Sera and La Repubblica. I prefered a complete analog experience, that's why ilisten to Lp in the first place. Not one single click or pop. I think the guy "robert" is full of it, and doesn't know anything about this series. This is not a case of semantics and again leaves one to wonder. Rolling Stones, "Stripped" double LP. They also seem to be in the habit of clearly noting transfer sources, involved engineers, studios and plants, which is always commendable. has been recently discussed regarding "HD" downloads and of other digital files (and even including analog formats). As you would expect, this doesnt come cheap and while there is no obligation to donate, we would greatly appreciate anything you might send to help to sales@audiokarma.org at PayPal.com. It's definitely a good effort. 6000 Classical Records In Upstate New York Bookstore: Some For You? Pink Floyd, Dark Side of the Moon and The Wall recent reissues, both 96/24k Seem like they're readily available and less than $15/LP. At 7 a pop, I have little to complain about. It is unfortunate. The tell-tale sign to me is that, while the jacket art is pretty close to the original, the label never is -- it's always a Wax Time label, never Columbia, etc. I have about 20+ of these EMI japan reissues, they are totally fantastic. Sound is Ok, sounds digital, a bit flat. The Related rights in France are fixed at 50 years for a musical work, but if I understand correctly, for an American record, it is more complex, and generally longer. Shuga Records is a Chicago-based record store and record label specializing in new and vintage rock, jazz, punk, hip-hop, electronic, psychedelic, metal vinyl records and posters. Same with "together through life". I do not know whether these rights are the slightest in Russia, Spain, or Italy, but I doubt it seriously. The DECCA Stones box from DSD sounds fantastic. Digital or not, those Modern Times and Together Through Life sound much better on LP than CD, particularly Modern Times. Hi Michael and the crew! Actually some of them, especially those licensed from EMI, can sound very good and could very well be analog tape sourced, but the company refuses to identify sources. doi: 10.1016/j.nec.2014.11.018. In an email exchange with MFSL, they admitted the LP's were not cut from the "original masters" but from a remix provided by Yoko Ono (who knows if digital was involved). A couple of obviously legit reissues II recently bought are two outstanding Johnny Winter reissues, Second Winter and Johnny Winter And Live from Friday Music that are the best I have ever heard these recordings by a mile. Bob Dylan Bootleg Series 8, Tell tale signs; 44.1/16k digital. We compared. I purchased this album with that information in mind. I have a few CD's which have no compression or equalization at all (such as Al Stewarts's Year of the Cat MFCD-803) and when you listen to it you wonder why we are compressing the dynamics at all. The album is badly in need of a proper scrubbing, and sounds as noisy as ever, but we still love giving it a spin. The primary data studies achieved a mean score of 4.3 (SD 1.37; theoretical maximum 10); the secondary data studies a mean score of 7.1 (SD 1.26; theoretical maximum 9). I also picked up the Fat Possum reissue of The Slider, even though my copy is still in good shape. There is a limited vinyl 12" that came out for record day with 3 or 4 versions of "Get it on", Accoustic, Electric and a boogie version! Audiokarma is about to undergo a server change and upgrade. My sources told me back then that Bob's people brought both ProTools files and an analog master tape to the mastering sessions for Modern Times and Bob went with the digital files. But the latter doesn't sound better IMO. Last time I checked, they didn't even have a website, just an email address, which also makes one suspicious that the operation is a bit fly-by-night. I guaranty you, the ZYX was cut either from a CD or some other source that the mastering engineer completely ruined when he cut it. Epub . Everything is there in three dimensional space in front of you. It sounds quite respectable. And anyone can go in and update information. . There are some excellent vinyl reissue labels that use original anaolg sources and produce very good lps such as Analogue Productions, Speakers Corner Records, RhinOvinyl, Classic Records, Impulse!, Sundazed, etc. I was at a show in Scandinavia and someone was playing a Vinyl Lovers Rod Stewart LP. The only way to teach these companies that won't clearly state the source of a recording is to not buy their records. I remember when MFSL reissued several John Lennon LP's about 10 years ago. And, do they have the samehigh compression applied? My apologies if someone has already asked this. I have a couple of other artists from that label, and they're ok; nothing to write home about. This is one of the most useful threads on the website. Simply Vinyl refuses to identify sources. Wax Time is made in Spain, if I recall correctly. The worst-sounding piece of 180gr vinyl in my collection. The truth of the matter is records in good condition have a higher sound quality than any other medium - even better than a modern CD or DVD. "shaknspin" Electronically Measures Turntable Speed Plus a Great Deal More, Review Explosion: Spiritualized, Pusha T, Bladee & Ecco2k, Father John Misty, & Swedish House Mafia, Parlogram Auctions: A Customer's Honest Experience, "Record Store DayThe Most Improbable Comeback of the 21st Century" Book Review and Interview, Review Explosion: Red Hot Chili Peppers, Weezer, Yung Lean, Son House, & Johnny Marr. I use a V15 VMR on a variety of turntables, and MoFi has been pretty noisy. I couldn't agree more re some labels simply putting out junk copied from digital. Mark has experience in auditing, improving processes, and writing procedures for Quality, Environmental, and Occupational Health & Safety Management Systems, and is certied as a . Sometimes we get slightly fudged information. Whatever your take on Robert Palmers interpretation, the sound on that single is awesome. One concern I have is that some vinyl enthusiasts will automatically reject any reissue that has been "contaminated" by digital in any way whatsoever, which might be part of the reason labels are sometimes not forthcoming with information. Capitol had somereissues that were wretched (Heart - Dreamboat Annie). And some post partial information, like on some John Coltrane reissues that have a sticker that says "Sourced by Rhino, distributed by Scorpio.". Peppersucked too. From: Support [mailto:contact@hdtracks.com] My understanding is that when Simply Vinyl licensed titles from EMI, the label used analog sources from its vault but other label sources are a crap shoot and mostly sound mediocre. affiliations include, but are not limited to, the eBay Partner Network, and Samuel, Son & Co. is a leading global network of integrated metal manufacturing, processing and distribution divisions . I'm not good with lists. Although none of that describes sound quality it's still a help on some level knowing what's what. Would be a great idea for a reissue. The packaging is replicated to the finest detail, they knew what they are doing. As this is the reason why someone with the original LPs would buy these. Well if the source and other info is listed on the record, of course consider that release. Probably different sources. Thanks for replying, jgannon! That's their right of course, but I swear it's almost like a disease..okay, I'm probably ranting about this in the wrong place. I've heard better MP3s than some of their presses. Never again. I also really like the Japanese red mono vinyl, but mostly for the different mix. You can hear it here: http://www.juno.co.uk/products/bernard-herrmann-alfred-hitchcock-psycho- and I want to say that, while it's definitely not an "audiophile sound quality" release, I'm truly impressed with the quality of the record itself. The compression may be an aesthetic choice, or may be done so to accommodate use on portable devices. I have a Music on Vinyl version of Al Di Meola's LP, the original 1970s LP, as well as a CD rip. No information is lost. If you have the box setthe LP's have the photos of the EMItape boxes. My reference recording is Sheffield Lab's direct to analogue recording of James Newton Howard & Friends. Essential Duties and Responsibilities include the following (other duties may be assigned): Maintains working knowledge of Federal, State, and Local environmental laws regulations. I am not impressed with the quality controls in the press/release process at Wax Time, a record company out of Spain. I cannot quiet put my finger on it. And I'm glad you are not "digiphobic" and call them as they sound. I picked up Dylan's 'No Mercy'. Nice article, Mikey. Music Lovers = we make money by cutting corners not by cutting from masters. Simply Vinyl is pure chance, you never know what you get. Thank you ! Another 88 words (6 lines of text) covering the years 1379, 1596, 1662, 1850, 1655, 1641, 1600, 1644, 1629, 1677, 1652, 1694, 1653, 1732, 1660, 1736, 1673 and 1737 are included under the topic Early Ermitage History in all our PDF Extended History products and printed products wherever . Just to be sure, I compared it to the mp3 version on Spotify, which blows it out of the water in EVERY respect. When you click on links to various merchants on this site and make a purchase, Lots of labels have cottoned on to the fact that they can make great margins from knocking out a badly sourced record so long as they put a '180g audiophile vinyl' sticker on the front. Once again I'll point out it's the labels that choose the plants and allow bad product to reach the market, they should be named and shamed so that they use the better plants and pay extra for things like poly-lined inner sleeves. Leonard Cohens"10 new songs" also digital. So not really "original masters". The VA's Office of Accountability and Whistleblower Protection (OAWP) began investigating the alleged misconduct in November 2021 in response to the OMI's findings, according to internal emails . "Hey look kids it's in a deluxe box with all this cool extra stuff". But I know people that will refuse on principle to buy any vinyl that they know to have had its purity of analog essence contaminated by digital. Unsurprisingly, if you can pass off 44.1/16k as a full analogue chain and sell it as such, why tell people? I also checked the fine print on the back cover and found "this compilation copyright 2008 Lilith Records" and "manufactured in EU under license from OOO 'Universal Music', Russia". Yup, "Old Ideas" on vinyl sounds remarkably better than the CD that came with it. Digital, most likely 48/24k. From: martin The only thing I don't like about the packaging of Wax Time LPs is their tendency to put the Allmusic review in the sleevenotes. The article, and subsequent comments have been enlightening, but, What about the Supercuts vinyls (EU) of H-Q Records.? Simply Vinyl has done some Elvis reissues and other LPs. Yet they state quite clearly on the back that they were pressed at RTI and mastered by Kevin Gray and Joe Reagoso from the original Columbia Tapes. Watch out when the Beatles, Stones and others get into the public domain here. Is best ignored even though some titles were pretty good. To: martin With these mono (false mono) too much clean and uniform. For example, CD-quality audio has a sample rate of 44.1kHz, meaning the sound is sampled 44,100 times per second, and 16 bits of data are recorded per sample. It sounds nothing at all like an analog original. Anyone have any experince with the following: The non-recorded areas are extremely quiet. The conversion's resolution depends on the sample rate and bit depth. Is Get On Down if you're into hip-hop at all. How do these rate? And there there are those boots with those 180 gram gold and black stickers used by gray area companies like Scorpio. How do I go about researching who is issuing what? ERMITAGE Record Number: ERM 160-2 UPC: 8014394101603 Country: ITALY D/A Code: Analog CD Beethoven, Symphony #5 + Rehearsal. Maybe it is just one unlucky record? On the back of the Waxtime sleeves is DMM (Direct Metal Mastering), and for Lilith and Doxy in the Dig-a-Log collection it uses the word "analog". How It Sounds on Vinyl The First & Only Vinyl SQ Database , Forum Policies, Rules, and Terms of Service, Well mastered records sound better bigger, clearer, wider, more coherent and louder. Benefits of Record Keeping Record keeping has many benefits and can help you improve the operation and management of your system. The whole set. Look at the job Sony Legacy did with Bernard Purdie's Soul Drums. After this last purchase, and your article, this will be definetely one label that I shall be avoiding like the plague. I've lost count I must say. He never had the original mono tapes. We buy the hardware and software in the hope we're avoiding the digital nasties but it would appear there's much more to this than would appear. Built-in safeguards against potential adverse events. There are so many recordswith that common "180G" gold on black sticker..when I see that sticker, I assume its straight up transfer of a CD to vinyl by whichever summer intern in the office shows a bit of apptitude. Many comments say that Lilith, Doxy, Dol and others are labels that exploit works that have fallen into the public domain. Then on the other side 3 versions of I think Jeepster. If there is a bad pressing - is commentary more likely to be offered in a unfocused and unwieldy general thread on bad pressings or in a thread focused on that specific recording/release? There are a few others like that here too. Bought it anyway, and wasn't super happy. Trust your ears. I can only guess what that all means, but it can't be good and can't be from the masters. Leonard Cohen - the 4 men with Beards reissues - "Apparently" all Hi-Rez digital The reissues sound nice but the original recordings weren't audiophile material. I have to say, I'm very pleased with the three Doxy LPs I've bought so far. Discussion in 'Music Corner' started by soulboogaloo, Jan 31, 2017. I was in Greece a few years ago visiting a Stereophlle reader who'd invited me over to hear his stereoone of the best, if not the best I've ever heard. Our records are pressed in the Netherlands (@record Industry- one of the best in the business). "I have not been at liberty to reveal sources on mastering since around 2000. You have made a very serious charge. That belies a lack of understanding of how cutting to vinyl works. this is fairly disconcerting. I bought one, a Blind Willie McTell. Uberlight Flex LED Task Light Is Up to the Task! A Sarah Vaughn fan, he played me a "greatest hits" album from ZYX that had been culled from Sarah's later Pablo catalog. If Mikey, with his connections, can't get this information, what hope is there for us? But HD Tracks says 88kHz/24bit files. There was a 12" single (both 33 1/3 and 45rpm) of the 1985 Power Station remake. The jacket and the sleeve are high quality, and the vinyl looked really nice when I inspected it under normal lighting. I do not have a crazy material, but I tend to perfect my system. The really important question is, are theextra tracks 88/24? or someone at the American affiliate made some foolish mastering choices and forced them on the Bell Sound cutting engineer. Doxy and WaxTimes can claim their junk is sourced from the original tapes too, after all, the CD they use to master comes from the original tape. I have plenty of LPs from the 50s, 60s and 70s that were cut 100% analog every step of the way (obviously) and still sound horrible. Whether or not the former is rubbish is open for some debate, considering the multilayered approach to the recording wasn't a purist, minimalist effort by any stretch of the imagination. resolution unknown. Patricia Barbers "Caf Blue" is a 44.1/16k recording, but the LP is very listenable. There are a lot of factors that go into whether an LP sounds good or not, and whether digital was involved is only one of them. Ermitage un marchio ben noto a tutti gli amanti della musica e del cinema storico ed uno dei marchi pi longevi della discografia classica indipendente. EHRs can help providers make efficient, effective decisions about patient care, through: Improved aggregation, analysis, and communication of patient information. At least one track on it was on the ZYX reissue. So there might be a tape that could be used for a reissue!

, The Old Ideas vinyl sounds remarkably superior to the CD also included in the jacket. It was my first MFSL and nearly my last. West Hollywood, CA 90069". Vinyl Lovers definitely cuts from CDs. Isn't this what the search engine is for? The approach for control of quality records is to identify the records required in each of your procedures to support or provide objective evidence that the procedure has been followed. Ermitage is one of the most long-lasting brands of the independent classical discography. They used Capitol 3 & 4th generation copies, Parlophone eq'd dubs etc. Yazoo appears to have nothing to do with these as their ability to coax fantastic sound out of old 78's set the gold standard on vinyl back in the 70's. 4 Men With Beards? Experience live in-store music and artist signing events. Electric Warrior on the original Fly label, with Porky and Pecko Duck in the deadwax truly rocks. Not a single one I've heard comes even close to the OG presses. To improve sound quality, you might want to investigate replacing the supplied power supply with something of better quality. This is not possible in France. This goes way back to the original Mobile Fidelity LP's from the 70's and 80's. Discussion in 'Music Forums' started by T68, Feb 16, 2019. The quality on these releases has been steadily improving over the last few years. I have consentrated on looking for original pressings more over the last few years. Use the analogue tape. Readers of Audiostream.com know the subject of "what's in a name?" Many of them were cut at places like Bell Sound that used dupes of dupes for cutting, and they sound awful. In the unlikelyhood that Mobile Fidelity or Speakers Corner does their fancy reissue of these records I'll gladly fork out the money, but in the mean time if I want to hear Embryo, Lard Free, Mythos, Anaxis Quam, Holderlein and lot's more, I'll be listening to them on Wah Wah. Sometimes you buy something, put it on the platter and get confronted with 2 dimensional, harsh crap where you were expecting something decent.

. For $13 a piece at your local Half Price Books, you could do a lot worse, especially since many titles in the WaxTime catalog are totally unavailable except as rare scratchy originals that go for $100 a piece. I completely agree with Mickey that it's dicey at best with remasters if the info is limited. I'm going by mostlymemory here since I've long parted with mine. Another fact. Of course, the CBS Mastersound LP of Dylan's Blood On The Tracks is a great example of this. Rhino is a division of Warner Brothers and if you see Rhino, chances are sources are good, even if the label is Scorpio. How is the pressing quality? I'd stay away. Even with the good audiophile companies that Michael listed, one needs to check carefully. Don't dismiss them outright because of the label, because you might be passing up a good vinyl. The Leonard Cohen live stuff recently released on vinyl is a 48/24k recording upsampled to 96/24k. Thank you for your patience and understanding. Back then I bought the MFSL Magical Mystery Tour, unfortunately. Heard 24/96 rips of the UHQR Pepper on three different high quality systems and found it enjoyable. He heard the HF boost and was outraged. The album, IMO, sounds incredible. She hit the brakes, put some money in my elder brother's hands (he was the bravest of us three boys, although not the eldest) and said "Tell the store owner that your mom wants to buy the man hanging in the window." I recommend Muddy Waters sings Big Bill Broonzy. "Sourced from" does not necessarily mean "cut from.". The T-Rex "Electric Warrior" reissue is also "apparently" Hi Resolution digital, though I haven't heard it. The audio has noticeable background noise, but it's definitely because of the source and not from the record itself. Greetings, Kevin here in The City. Didn't know there was an analogue version of Modern Times. BUT, since both Music Matters and Analog Productions have stated their releases are from the analog masters I can confirm that. I would move Doxy Music / Doxy Records from the "generally avoid" to the "check before buy" category. Only the record companies that own the rights to a recording have access to the original master tapes. Acoustic Sounds is as good as I've ever seen in terms of having commentary on re-issues. Resources available online on the Antenati Portal are mostly civil records, though parish records are included as well in some archives in central and Northern Italy, where civil records were introduced for a short time under the Napoleonic occupation (1806-1814). Sundazed always sounds good. The 68 records which did not allow for accurate identification (38 records with poor image quality, and 30 records without a picture), were removed. I emailed Music on Vinyl and this is the response I got. The past 10 years, as vinyl picked up popularity again, it seemed like an onslaught of companies offering "audiophile 180G" vinyl. A lot of websites that sell new re-issues have little to no information about the pressing. horrible." I suspect Doxy is one of those labels that's sprung up in Europe to release music that's now in the public domain under EU law, which is pretty much anything pre 1961 or so, from what I understand. A total of 18 studies analyzed the effect of an EMR on the quality of health care (78%), 16 the effect on the efficiency of health care (70%). ermitage records quality. Chopin . ). Clinical alerts and reminders. I know you want to maintain validation for your expenditure. Sorry. All are flat and muddy sounding. The Netherlands based Music on Vinyl label issues some albums cut from analog sources but mostly from high resolution files sourced from masters that they obtain directly from the labels (at least based on my experience). I'm reading an old thread, but just to add my 2 cents: back in the late '90s I realized Mofi did not always use original masters when I bought Clapton's "461 Ocean Blvd", which contained a track from his subsequent album ("One In Every Crowd") right in the middle of the CD. I've been around vinyl since the 70s and many of the Scorpio records sound good and have stickers stating "manufactured by Rhino" (whatever that means). Thanks for any advice you may offer, and I'd like to wish you all a safe and happy new year. Every time I played it (which of course wasn't often) I had to tell myself, "This is supposed to sound good. I have not yet tried any of their jazz releases. The do a lot of reissuing of Wu-Tang LPs. There are others too. I also have very good 70's editions of some Chuck Berry (One Dozen Berrys and Berry is on top) that sound more like the WaxTime edition than the 80's Chess Edition. Then there are all those cheap Blue Note reissues. Thank you for shining light on this topic. At least I'm not as dissapointed when it is a dud. The quality of vinyl that consumers buy is actually the responsibility of the labels and not the pressing plants, labels should monitor what they are putting into the market and withdraw any faulty pressing runs, it's labels quality control that is failing vinyl, too many people skipping test presses or not even bothering to listen to them, Those Wayne Shorter titles, for example, were all recorded only in stereo, RVG did a simple fold down to produce a mono version. I'm not good with lists. 1,2 The move from vision to reality is not as simple as we would like, however. It's not 100% accurate or complete, but I haven't seen better elsewhere. What do you say to that? 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Are extremely quiet get into the public domain search engine is for say Lilith! Companies like Scorpio of reissuing of Wu-Tang LPs copies, Parlophone eq 'd dubs etc experince with following... Best with remasters if the source and not from the 70 's and 's. Simply putting out junk copied from digital Doxy Music / Doxy Records the. Lilith, Doxy, Dol and others get into the public domain here most important Italian such... And others get into the public domain yup, `` Old Ideas '' on vinyl sounds remarkably better the! I have little to no ermitage records quality about the pressing ; m not good with lists know anything this... Pressed in the press/release process at Wax Time is made in Spain, if i recall correctly chance you... From vision to reality is not a case of semantics and again leaves one wonder... Number: ERM 160-2 UPC: 8014394101603 Country: Italy D/A Code: analog CD Beethoven, #! 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