So it is incredibly telling that Soutine infused his self-portraits with a clear sense of self-loathing by exaggerating his features to the point of distortion such that the image of the artist in the painting is unrecognizable as the man that appears in photographs from the same time. Ifkovic, Ed. The artist's complex relationship to food, with its prominent place in Jewish ritual as well as its scarcity in his youth and early career, lends the common vanitas theme a deeper, more personal meaning. His upbringing was fairly typical of Russian-born Jews during this era, who were forced to endure persecution and discrimination from a hostile government. May 12, 2011, By Christopher Knight / Smithsonian Magazine / His carcass paintings were inspired by Rembrandt's still life of the same subject, Slaughtered Ox, which he discovered while studying the Old Masters in the Louvre. Inspired by classic painting in the European tradition, exemplified by the works of Rembrandt, Chardin and Courbet, Soutine developed an individual style more concerned with shape, color, and texture over representation, which served as a bridge between more traditional approaches and the developing form of Abstract Expressionism. The Los Angeles Times / The books and articles below constitute a bibliography of the sources used in the writing of this page. ©2020 The Art Story Foundation. As a Jew, Soutine had to escape from the French capital and hide in order to avoid arrest by the Gestapo. He was the tenth of eleven children born to Zalman (also reported as Solomon and Salomon) Moiseevich Sutin (1858-1932) and Sarah Sutina (née Khlamovna) (died in 1938). Chaïm Soutine (13 January 1893 – 9 August 1943) was a Russian-French painter of Jewish origin. [9], The Jewish Museum in New York has presented major exhibitions of Soutine's work in An Expressionist in Paris: The Paintings of Chaim Soutine[10] (1998) and Chaim Soutine: Flesh (2018). He was interred in Cimetière du Montparnasse, Paris. Some day I will destroy my canvases but [I am] too cowardly to do it. This page was last edited on 19 October 2020, at 17:11. Head (c. 1910-12) Although inspired by Brancusi's marble work, Modigliani's sculptures were often made from … Chaim Soutine was born and raised in the small Jewish settlement of Smilavichy, near Minsk, in what is present-day Belarus. Soon afterwards France was invaded by German troops. He was interred in Cimetière du Montparnasse, Paris. "Soutine, Chaïm". cat., op. In 1923, in a showing arranged by Guillaume, the prominent American collector Albert C. Barnes, bought 60 of Soutine's paintings on the spot. Soutine Street Samuel Bak 2001. For a time, he and his friends lived at La Ruche, a residence for struggling artists in Montparnasse where he became friends with Amedeo Modigliani (1884–1920). Soutine made a major contribution to the expressionist movement while living in Paris. This cry, I always feel it there. 1922, Henry and Rose Pearlman Foundation on long-term loan to the Princeton University Art Museum, Chaim-Iche Solomonovich Sutin (Хаим-Иче Соломонович Сутин). A preoccupation with food dominates Soutine's vivid still lifes, with the focus placed on the bodies of animals used for food. From 1930 to 1935, the interior designer Madeleine Castaing and her husband welcomed him to their summer home, the mansion of Lèves, becoming his patrons, so that Soutine could hold his first exhibition in Chicago in 1935. He soon developed a highly personal vision and painting technique. The New York Times / He soon developed a highly personal vision and painting technique. [6] Zborowski supported Soutine through World War I, taking the struggling artist with him to Nice to escape the possible German invasion of Paris. Its packed pedestrians are locked in a constricting space; the plane of the sidewalk, in an unsettlingly intense pink (part of a palette of shrill and clashing colors), slopes steeply upward, and the exit to the rear is blocked by a trolley car.
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