When Edmund is forced into her sledge on an endless night journey, he feels it is a bad dream and hopes he wakes up. Geoffrey Bles Because of the dangers of World War II , the four Pevensie children were sent away from London to the home of Professor Digory Kirke, who lived in a large old house with many rooms useful for hiding and exploration. One of the memorable scenes in the book is the melting of winter in Narnia (Chapters 11 and 12). The Witch promises Edmund all manner of treats and gets him hooked on the Turkish Delight. He and Mrs. Beaver serve an elaborate meal of fried fish, potatoes, milk, marmalade roll and tea, which the children help prepare. The Witch Queen of Narnia “has made a magic so that it is always winter in Narnia—always winter, but it never gets to Christmas” (Chpt. Sunlight pours down and flowers appear. The tea Lucy has with Mr. Tumnus, the dinner the children have at the Beavers, the Christmas feasts, and the food shared with Aslan in his pavilion are some of the most endearing scenes in the book. She is the archetypal Stone Mother who kills her children. Lucy’s cordial of healing contrasts with the Witch’s vial that creates the Turkish Delight to poison Edmund. When it was all over, after Aslan had killed the Witch, the children were crowned High King Peter the Magnificent, High Queen Susan the Gentle, King Edmund the Just, and Queen Lucy the Valiant. The trees began to come fully alive” (Chpt. The Lion, the Witch, and the Wardrobe: Novel Summary: chapter 3-4; The Lion, the Witch, and the Wardrobe: Novel Summary: chapter 5-7; The Lion, the Witch, and the Wardrobe: Novel Summary: chapter 8-10; The Lion, the Witch, and the Wardrobe: Novel Summary: chapter 11-13; The Lion, the Witch, and the Wardrobe: Novel Summary: chapter 14-16 The Witch, on the other hand, does not have the authority to usurp Narnia and therefore, her weapons ultimately fail. Preceded by 9, p. 92). C. S. Lewis The weapons are magic and more powerful than the black magic of the Witch because they contain the nature of Aslan—righteousness, justice, and the warmth of life. The sad scene in the Witch’s castle shows the stone forms of tree spirits, animals, and all the creatures of nature enslaved. The meal at the Beavers in their house on the frozen dam is a rescue mission, for the children are lost in a dark wood in the snow. Aslan shows Peter the castle of Cair Paravel where he will be High King. The cordial is made of “fire-flowers that grow in the mountains of the sun,” (Chpt. He later told her that he had intended to hand her over to the White Witch, the usurping Queen of Narnia. Afterwards, they went to the Witch's castle, and revived all the statues. She pressed on and found herself standing in the middle of a snowy wood next to a lamp-post, where she met Tumnus the Faun, who invited her to his home for tea. Thanks for checking out our website. Followed by . 4, p. 42). Aslan the Lion who is the true King and creator of Narnia, is associated with the sun and fire. He keeps eating though it makes him sick. The Stone Table with its ancient inscriptions, reminding one of Stonehenge, a pagan temple, records the “old law” of Deep Magic from the Dawn of Time, stating that a traitor must die. England The book is dedicated to C.S. Once taught, these activities would be appropriate for any mainstream class from Grades 3-6 or gifted and talented students from Grades 1 upwards. The Witch turns everything to stone with her magic wand. . She has terrorized the animals into being spies for her. Illustrator This directly contrasts with how the castle looks to Edmund at night when it is the Witch’s house. When he goes to the Witch’s castle wanting more Turkish Delight, she gives him stale bread and water instead. Novelguide.com is continually in the process of adding more books to the website each week. Please check back weekly to see what we have added. 10, p. 109) bringing Aslan’s warmth to revive and heal. Students are asked to decide what type of figurative language has been used (alliteration, personification, metaphors or similes) and to analyse the purpose and effect of the figurative language choices. She controls everything.
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